Continuing Harvey Dent's 75th anniversary is Matt Wagner's 'Faces' from Legends of the Dark Knight #28-30. It's considered by a lot of people to be one of the definitive Two-Face stories. I'm personally on the fence; it's well-written and drawn but Harvey's character and overall motivations are fairly inconsistent with how he's usually depicted. The story might have been served better with a number of other Bat-villains instead. But who knows, you might think differently.
( Scans under the cut... )
If it looked a bit like a high school cheerleader's outfit (back in the day when cheerleader outfits didn't show much skin and weren't all that tight fitting), that was probably intentional. And this suited her just fine all through high school and most of the way though college. And then, 12 years later, her editors belatedly realized the 60's had brought a sea change in fashion, and things started to get weird. ( Sartorial madness ensued )
And that is the long and sad story of Kara's closet of super outfits. Maybe someone sensible came along and rescued her from further sartorial shame by stealing all but the hotpants ensemble?
In some cases sadly, in other cases thankfully, we never got to see her wearing some of the other outfits in that closet, but evidence of their existence was preserved:( Read more... )
Fandom: Person of Interest
Characters/Pairings: Root/Sameen Shaw, Harold Finch/John Reese, Harold Finch/Grace Hendricks, John Reese/Mark Snow, Michael Cole, Robert Hersh, Joss Carter, Kara Stanton, The Machine, Bear
Warnings/Content: Sentinel/Guide AU, mind-bonding, show level violence, show level torture, emotional hurt/comfort, canon character death (Michael Cole). Some Mark/John dubcon in chapters 4 and 5. Follows some events from Ep 1.10 Number Crunch, Ep 1.23 Firewall and 2.16 Relevance.
Notes: Written for wipbigbang 2017.
Thank you to my amazing betas: lilacsigil and musyc. You guys were awesome and got me from "I want to write POI Sentinel/Guide fic with soft face touching" to actually getting it posted.
Title is from the Elton John song. ("Subway's no way for a good man to go down.")
Summary: In 2001, Harold advised on a project called Cascade, not knowing he was a Guide himself. Years later, he and John, a Sentinel on the run from Cascade, must help Shaw, who has just lost her own Guide when the Project turned on her. Complicating matters is Root, searching for Harold's Machine and interfering with their rescue of Shaw.
Also at the Archive
( Unstoppable! )
Anyway, I have a number vid ideas that will never get made if I don't pay someone else to do it, and so I'm always on the lookout for vid auctions featuring vidders offering those sources that I think would do a creditable job with the idea. Which is how I bidded on (and ended up winning) grammarwoman's services to make a Star Wars fanvid to that old American Civil War hit, "That's What's the Matter." And she did a really great job, and the vid is SO FUNNY. You have to go see.
Title: That's What's the Matter
Source: Star Wars movies (Rogue One, Episodes IV-VII)
Music: "That's What's the Matter", Stephen Foster
Vid Download Link: 183 MB m4v file at Sendspace (If you'd like it in a different format, let me know.)
Summary: The Empire would have gotten away with it, too, if it hadn't been for those meddling Rebels and incompetent Imperial officers.
The issue itself isn't out yet, but many of the personal essays about disability and science fiction are available for free on the Kickstarter page. They're all good, and you should totally check them out. Here are some of my faves:
K.C. Alexander, We Are Not Your Backstories:
Science fiction shapes generations—how we think, the way we act. It influences the careers we choose and our thirst for knowledge. It cautions against the worst of our impulses, and quietly teaches us empathy. Without knowing it, we are slowly acclimated to people and beliefs that live outside our rigid monocultures.A.T. Greenblatt, The Stories We Find Ourselves In:
So, I'll let you in on a secret, the thing I've learned about having a life-long disability, the thing that lots of stories never quite grasp: The real trick, the true solution to a disability, is to find a balance between your abilities and your goals.Michael Merriam, We Are Not Daredevil. Except When We Are Daredevil:
I live in this world. I can't toss my white cane aside when I need to spring into action: the cane goes with me everywhere. I travel around my city on public transportation. My other senses are not supernaturally sharper because I am blind. I simply pay better attention to those other senses. It's a learned skill. I live within my blindness every day, and I want to read about fictional characters who also live with and within their blindness.
Marissa Lingen, Malfunctioning Space Stations:
I have a major balance disorder. When I am awake and able to use all my senses, I can reason out the vertical. If you make me close my eyes, I can still get it to within about five degrees of the correct answer if I'm sitting still on a firm surface. If I’ve got a squishy surface, motion, or other things confusing my senses, doubtful. Asleep? All bets are off. I literally do not know which way is up.H. Ace Ratcliff, Nihil de Nobis, Sine Nobis:
Since I have read and written science fiction for decades, what my sleeping brain knows to do with this much disorientation is to process it into a malfunctioning space station. And so I dream. Occasionally my dreams veer into carnival rides, roller coasters, giant swooping swings. But that is someone else's genre. This is mine.
I narrowly avoided the temptation to throw my Kindle and watch the book shatter into a million plastic pieces. If it had been a printed paperback, I’m positive I would be able to show you the dent in the wall. “For the record,” I tweeted out to the hashtags The Expanse was using, “you can be a fucking Valkyrie in a goddamn wheelchair.” I can assure you that any human with the wherewithal, sheer willpower, and pain tolerance to put her skeleton back into place on an hourly basis absolutely deserves a place in any mythological pantheon.Day Al-Mohamed, The Stories We Tell and the Amazon Experiment:
As an example, I once asked a room full of authors what their response would be if I asked them to make the protagonist in their current Work-in-Progress a woman – most nodded, yesses were heard around the room. Then I asked if they could make their character a person of color – again, nods around the room. Then I asked if they would make the character disabled – silence. The discomfort was palpable. In theory diversity and disability was great to include in fiction but when it came to implementation, they couldn’t easily connect disability with their protagonist. They had trouble adjusting to the practical reality of disability existing outside of the boxes they knew. This is why 134 stories on Amazon could be broken down into five story categories.Ada Hoffman, Everything Is True: A Non-Neurotypical Experience with Fiction:
When I read #ownvoices autistic characters, I often think the authors have had that same feeling. Many of these characters have devoted family, friends, romantic partners, even when the world at large is awful to them. Most of them first have to overcome a broken relationship with themselves. To learn to believe that they're worthy as they are.Haddayr Copley-Woods, Move Like You're From Thra, My People:
With autistic characters written by NT authors, it often feels like everyone is tired of their shit from the start.
You don't have to be tough. People sometimes say things like, "If you can be discouraged from writing, you should be," and use that as a way to justify being unkind to people who are tender. I don't think it's meant as a cudgel against disabled people specifically, but it can function as one. If you doubt your abilities, if you are sometimes crushed, if you feel like an impostor—that's fine. It's normal. If only tough people wrote stories, then we'd only have their perspectives, and we would lose all the things other people—you—have to offer.
I was glad I didn’t have this unfortunate internalized disableism stilling my movements, but I didn’t know why I’d found it so easy to make the switch until I sat down with my little boys to watch The Dark Crystal, which I hadn’t watched in decades.
I didn’t know. It took my breath away. The reason why I am fine with moving like this, the reason I am fine with people staring and why I love myself this way, is because of The Dark Crystal.
The issue is more than fully funded, right now they're adding content left and right as more people pledge, and if they get to $45k (they're at $39,425 with 9 days left to go) they'll do a hardcopy of it for supporters pledging $50 or more.
Finished replacing the rotten boards on the back deck with some caveats on it being 'successful' - I can't figure out why some of them refuse to lay flat when the boards themselves are not bent and the under structure was still sound. Better luck, I hope, with the rotten boards in the front steps that are next, I have them cut, sanded and half-stained in the garage at this point. Woot!
Busy chipping away at our very hard soil trying dredge up enough dirt to fill a dip the torrential rains this last spring dug by one corner of the house. Got a chunk of new gutter so I can do my best to replace the bad gutter section responsible for that - hope I can figure that one out, as the October Rains will be here before I know it. Also learned how to play with the air compressor so I could get the car's tires back up to snuff. ;-) Learned air compressors are fun!
Hope everyone else is also getting some of those summer projects out of the way while they can.
Welcome to the meta café! Although this time it's more The Poetry Café (not that there's ever much difference). What I mean is, this post is like a follow-up to The Hollow Men and will be formatted in a similar way: I.e. first up is the poem/imagery, which will then be followed by lengthy, complex and in-depth notes. No really, this is enormous. (I will also write a more regular meta post later, with all the stuff that does not fit into this very specific reading.) Also, although this meta mostly centers on The Doctor Falls, it meanders through a lot of S10, and even further back. And as always, Promethia owns at least half of this.
But first, here is the second half of the fifth and final part of T.S. Eliot's The Waste Land, as filtered through Moffat Who:
( PART V. WHAT THE THUNDER SAID )
( 5/15 pages) )
And that is the tale of how Supergirl hung up her cheerleader frock after, what, 12 years of wearing the exact same thing every day? Something tells me she would have changed things up a lot sooner if not for wanting to avoid a fight with her stick-in-the-mud cousin and his small town Kansas prudery.
( click to see the results, published about 8 months later )